New Histories of Art in the Global Postwar Era
This book maps key moments in the history of postwar art from a global perspective. The reader is introduced to a new globally oriented approach to art, artists, museums and movements of the postwar era (1945–70). Specifically, this book bridges the gap between historical artistic centers, such as Paris and New York, and peripheral loci. Through case studies, … celý popis
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- Typ dokumentu
- eBook Book
- Jazyk
- English
- Vydáno
-
Oxford
Routledge
2021
Taylor and Francis
Taylor & Francis Group - Vydání
- 1
- Edice
- Studies in Art Historiography
- Témata
- ISBN
- 9780367140847
0367721546
0367140845
9780367721541
9780429643750
0429643756 - DOI
- 10.4324/9780367140854
Obsah:
- Notes -- Bibliography -- Part 2 Against the Norm: Decentering and Resisting the Canon -- 8 Blinded by Mao: The Challenge of Seeing Modernism in Art of the People's Republic -- Can We Use the M Word? -- The Yan'an Talks -- Pan Tianshou/Fu Baoshi -- Conclusion -- Notes -- Bibliography -- 9 "Iranian Modernism" and the Idea of Indigenous Art: Translations, Adoptions and (mis)interpretations -- Persian Art History and the Reconstruction of National Identity -- Avant-Gardism and/or the Indigenous Figuration -- The Local-Global Binarism and the Saqqa-khaneh Movement -- What Was Modernism in Iran? -- Notes -- Bibliography -- 10 Camouflaged Dissent - A Plastic Umbrella and Transparent Balloons: "Happenings" in South Korea, 1967-1968 -- The First "South Korean Happening": A Plastic Umbrella -- Happenings at the Music Café, C'est Si Bon in May 1968: Art or Scandal? -- Notes -- Bibliography -- 11 A Postcard from Addis: Ethiopian Modernism(s) in the World -- Ethiopia in the World -- Afewerk Tekle as Patriot and Diplomat -- The Interstitial Works of Skunder Boghossian -- 1967: High Points and New Complexities -- Notes -- Bibliography -- 12 The Cultural Politics of Négritude and the Debates around the Brazilian Participation in the First World Festival of Negro A -- Arts Nègres, Black Arts -- Continuities and Ruptures of Négritude in Black Brazilian Art -- Unofficial Mobilities and Black Solidarity -- Notes -- Bibliography -- 13 An Index of Modernity: Feminist Furniture by Teresa Burga and Beatriz González -- Feminism in Latin America: An Overview -- From Modernity to Modernism: Burga and González's Semiotics of the Living Room -- Conclusion -- Notes -- Bibliography -- Part 3 Collecting Modernisms - Exhibiting Modernisms -- 14 Traveler's Tales: Alfred Barr, the Soviet Union and International Modernism in the Postwar Period -- Notes -- Bibliography
- Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Table of contents -- Figures -- Contributors -- Introduction: Toward a New Understanding of Globalism in Postwar Art -- The Postwar: A Short History -- Notes on Multiple Modernisms -- On the Structure of This Book and Its Contribution -- Notes -- Bibliography -- 1 Prologue: Art History's Work-in Pro(re)gress - Reflections on the Multiple Modernities Project -- Mainstream Modernism -- Radical Revisionism -- Modern, Modernism, Modernist -- Minor, Global, Planetary, Situated -- Contemporary Art and Contemporaneity -- Notes -- Bibliography -- Part 1 Crossings and Encounters: Retracing Artists' Itineraries -- 2 Expression for All: Ferlov, Mancoba, Tajiri and the Art of Cobra -- Primitivism -- Minoritarian Cosmopolitanism -- Feminist Humanism -- Resistance to Violence -- Notes -- Bibliography -- 3 Origins and Brinks: Multiple Modernisms in Postwar London -- Decentralization: Elective Affinities and Missed Encounters -- Discrepant Bones: A Case Study -- Notes -- Bibliography -- 4 Multiple Resistances to the Concept of Modernism: The Emergence of Artistic-Poetic Networks between Eastern Europe and Latin -- Multiplying the Modernist Project -- Anti-Aesthetics: Toward the Criticism of Western Modernism -- Self-definition as Arrière-garde Artists -- Multiple Resistances to the Concept of Western Modernism -- Notes -- Bibliography -- 5 Urban Folklore: Marta Minujín's Postwar Assemblage and the Modern City -- Urbanscapes -- Environmental Assemblages -- La Menesunda and the City -- Urban Folklore -- Notes -- Bibliography -- 6 Yayoi Kusama as a Migrant Artist: An Artistic Trajectory as a Model for Understanding Postwar Art -- Boat Trip -- Kusama in Europe -- Polka Dot Love Room -- Migration Aesthetics -- Notes -- Bibliography -- 7 The Overworked Ground: Franz Erhard Walther in New York
- 15 Displaying Whose Modernity?: The Bardis and the Museum of Art of São Paulo -- Notes -- Bibliography -- 16 Cosmonaut Paintings as Contemporary Art: The Soviet Union at the Venice Biennale, 1956-1968 -- "Insalata Russa": Soviets in Venice -- On a Mission to Venice: The 1968 Exhibition -- A Cold Reception at a Heated Biennale -- Into Oblivion - Space Debris in Venice -- Notes -- Bibliography -- 17 All That Jazz: Rome's Galleria Nazionale d'Arte Moderna and the Rise of Abstraction in Postwar Italy -- Palma Bucarelli: The Joan d'Arc of Parisian Modernisms -- Arte astratta e concreta in Italia -- Notes -- Bibliography -- Index