New Histories of Art in the Global Postwar Era
This book maps key moments in the history of postwar art from a global perspective. The reader is introduced to a new globally oriented approach to art, artists, museums and movements of the postwar era (1945–70). Specifically, this book bridges the gap between historical artistic centers, such as Paris and New York, and peripheral loci. Through case studies, … celý popis
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Oxford
Routledge
2021
Taylor and Francis
Taylor & Francis Group - Vydání
- 1
- Edice
- Studies in Art Historiography
- Témata
- ISBN
- 9780367140847
0367721546
0367140845
9780367721541
9780429643750
0429643756 - DOI
- 10.4324/9780367140854
| Abstract | This book maps key moments in the history of postwar art from a global perspective.
The reader is introduced to a new globally oriented approach to art, artists, museums and movements of the postwar era (1945–70). Specifically, this book bridges the gap between historical artistic centers, such as Paris and New York, and peripheral loci. Through case studies, previously unknown networks, circulations, divides and controversies are brought to light. From the development of Ethiopian modernism, to the showcase of Brazilian modernity, this book provides readers with a new set of coordinates and a reassessment of well-trodden art historical narratives around modernism.
This book will be of interest to scholars in art historiography, art history, exhibition and curatorial studies, modern art and globalization.
Cover image: Postcard from Elmira Bier to Marjorie Phillips, 1967, depicting Afewerk Tekle: Africa: Past, Present and Future, located in Africa Hall, Addis Ababa. The Phillips Collections Archives.
Cover image: Postcard from Elmira Bier to Marjorie Phillips, 1967, depicting Afewerk Tekle: Africa: Past, Present and Future, located in Africa Hall, Addis Ababa. The Phillips Collections Archives. |
|---|---|
| AbstractList | This book maps key moments in the history of postwar art from a global perspective.
The reader is introduced to a new globally oriented approach to art, artists, museums and movements of the postwar era (1945–70). Specifically, this book bridges the gap between historical artistic centers, such as Paris and New York, and peripheral loci. Through case studies, previously unknown networks, circulations, divides and controversies are brought to light. From the development of Ethiopian modernism, to the showcase of Brazilian modernity, this book provides readers with a new set of coordinates and a reassessment of well-trodden art historical narratives around modernism.
This book will be of interest to scholars in art historiography, art history, exhibition and curatorial studies, modern art and globalization.
Introduction. Towards a New Understanding of Globalism in Postwar Art
Flavia Frigeri and Kristian Handberg
1. Prologue: Art History’s Work-in Pro(re)gress: Reflections on the Multiple Modernities Project
Terry Smith
PART 1 Crossings and Encounters: Retracing Artists’ Itineraries
2. Expression for All: Ferlov, Mancoba, Tajiri and the Art of Cobra
Karen Kurczynski
3. Origins and Brinks: Multiple Modernisms in Postwar London
Giulia Smith
4. Multiple Resistances to the Concept of Modernism: The Emergence of Artistic-Poetic Networks between Eastern Europe and Latin America in the late 1960s and 1970s.
Katarzyna Cytlak
5. Urban Folklore: Marta Minujín's Postwar Assemblage and the Modern City
Elize Mazadiego
6. Yayoi Kusama as a Migrant Artist: An Artistic Trajectory as a Model for the Understanding of Postwar Art
Marie Laurberg
7. The Overworked Ground: Franz Erhard Walther in New York
Stephanie Straine
PART 2 Against the Norm: Decentering and Resisting the Canon
8. Blinded by Mao: The Challenge of Seeing Modernism in Art of the People’s Republic
Karen Stock
9. "Iranian Modernism" and the Idea of Indigenous Art: Translations, Adoptions and (mis)interpretations
Combiz Moussavi-Aghdam
10. Camouflaged Dissent – A Plastic Umbrella and Transparent Balloons: "Happenings" in South Korea, 1967–1968
Sooran Choi
11. A Postcard from Addis: Ethiopian Modernism(s) in the World
Kate Cowcher
12. The Cultural Politics of Négritude and the Debates around the Brazilian Participation in the First World Festival of Negro Arts (Dakar, 1966)
Sabrina Moura
13. An Index of Modernity: Feminist Furniture by Teresa Burga and Beatriz González
Sofia Gotti
PART 3 Collecting Modernisms – Exhibiting Modernisms
14. Traveler’s Tales: Alfred Barr, the Soviet Union and International Modernism in the Postwar Period
Masha Chlenova
15. Displaying Whose Modernity? The Bardis and the Museum of Modern Art of São Paulo
Camila Maroja
16. Cosmonaut Paintings as Contemporary Art: The Soviet Union at the Venice Biennale, 1956–1968
Kristian Handberg
17. All that Jazz: Rome’s Galleria Nazionale d’Arte Moderna and the Rise of Abstraction in Postwar Italy
Flavia Frigeri
Flavia Frigeri is an Art Historian and Curator. She is currently Curator for Missing Narratives on Women at the National Portrait Gallery in London.
Kristian Handberg is an Art Historian. He is currently Assistant Professor in the Department of Arts and Cultural Studies at the University of Copenhagen. This book maps key moments in the history of post-war art from a global perspective. This book maps key moments in the history of postwar art from a global perspective. The reader is introduced to a new globally oriented approach to art, artists, museums and movements of the postwar era (1945–70). Specifically, this book bridges the gap between historical artistic centers, such as Paris and New York, and peripheral loci. Through case studies, previously unknown networks, circulations, divides and controversies are brought to light. From the development of Ethiopian modernism, to the showcase of Brazilian modernity, this book provides readers with a new set of coordinates and a reassessment of well-trodden art historical narratives around modernism. This book will be of interest to scholars in art historiography, art history, exhibition and curatorial studies, modern art and globalization. Cover image: Postcard from Elmira Bier to Marjorie Phillips, 1967, depicting Afewerk Tekle: Africa: Past, Present and Future, located in Africa Hall, Addis Ababa. The Phillips Collections Archives. Cover image: Postcard from Elmira Bier to Marjorie Phillips, 1967, depicting Afewerk Tekle: Africa: Past, Present and Future, located in Africa Hall, Addis Ababa. The Phillips Collections Archives. |
| Author | Frigeri, Flavia Handberg, Kristian |
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| Copyright | 2021 Taylor & Francis Copyright 2021 Elsevier B.V., All rights reserved. |
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| Keywords | Gerard Sekoto Plaster Of Paris Moderna Museet Della Pietro Maria Bardi Postwar Yayoi Kusama Torcuato Di Tella Institute Dense Brazilian Artists Paul Gauguin Buenos Aires Di Tella Povo Brasileiro Di Tella Institute Venice Biennale USSR Pavilion Oil On Canvas Ernest Mancoba Soviet Pavilion Torcuato Di Tella Kunsthalle Bern Multiple Modernities Kazimir Malevich Pietro |
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| Snippet | This book maps key moments in the history of postwar art from a global perspective.
The reader is introduced to a new globally oriented approach to art,... This book maps key moments in the history of post-war art from a global perspective. |
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| SubjectTerms | 20th Century Modern Art Africa Art and globalization-History-20th century art history Art museums Brazil Brazilian modernity canon Caribbean center centre China collecting colonialism Contemporary History 1945 East Europe Eastern Europe Ethiopia exhibition studies exhibitions feminism geography Global perspective Global postwar era globalism Globalization Guyana hegemony Historiography History - Theory, Method & Historiography History of Art indigenous International History Iran Latin America Modern Art modernism Museum Studies Transnationalism World |
| Subtitle | Multiple Modernisms |
| TableOfContents | Notes -- Bibliography -- Part 2 Against the Norm: Decentering and Resisting the Canon -- 8 Blinded by Mao: The Challenge of Seeing Modernism in Art of the People's Republic -- Can We Use the M Word? -- The Yan'an Talks -- Pan Tianshou/Fu Baoshi -- Conclusion -- Notes -- Bibliography -- 9 "Iranian Modernism" and the Idea of Indigenous Art: Translations, Adoptions and (mis)interpretations -- Persian Art History and the Reconstruction of National Identity -- Avant-Gardism and/or the Indigenous Figuration -- The Local-Global Binarism and the Saqqa-khaneh Movement -- What Was Modernism in Iran? -- Notes -- Bibliography -- 10 Camouflaged Dissent - A Plastic Umbrella and Transparent Balloons: "Happenings" in South Korea, 1967-1968 -- The First "South Korean Happening": A Plastic Umbrella -- Happenings at the Music Café, C'est Si Bon in May 1968: Art or Scandal? -- Notes -- Bibliography -- 11 A Postcard from Addis: Ethiopian Modernism(s) in the World -- Ethiopia in the World -- Afewerk Tekle as Patriot and Diplomat -- The Interstitial Works of Skunder Boghossian -- 1967: High Points and New Complexities -- Notes -- Bibliography -- 12 The Cultural Politics of Négritude and the Debates around the Brazilian Participation in the First World Festival of Negro A -- Arts Nègres, Black Arts -- Continuities and Ruptures of Négritude in Black Brazilian Art -- Unofficial Mobilities and Black Solidarity -- Notes -- Bibliography -- 13 An Index of Modernity: Feminist Furniture by Teresa Burga and Beatriz González -- Feminism in Latin America: An Overview -- From Modernity to Modernism: Burga and González's Semiotics of the Living Room -- Conclusion -- Notes -- Bibliography -- Part 3 Collecting Modernisms - Exhibiting Modernisms -- 14 Traveler's Tales: Alfred Barr, the Soviet Union and International Modernism in the Postwar Period -- Notes -- Bibliography Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Table of contents -- Figures -- Contributors -- Introduction: Toward a New Understanding of Globalism in Postwar Art -- The Postwar: A Short History -- Notes on Multiple Modernisms -- On the Structure of This Book and Its Contribution -- Notes -- Bibliography -- 1 Prologue: Art History's Work-in Pro(re)gress - Reflections on the Multiple Modernities Project -- Mainstream Modernism -- Radical Revisionism -- Modern, Modernism, Modernist -- Minor, Global, Planetary, Situated -- Contemporary Art and Contemporaneity -- Notes -- Bibliography -- Part 1 Crossings and Encounters: Retracing Artists' Itineraries -- 2 Expression for All: Ferlov, Mancoba, Tajiri and the Art of Cobra -- Primitivism -- Minoritarian Cosmopolitanism -- Feminist Humanism -- Resistance to Violence -- Notes -- Bibliography -- 3 Origins and Brinks: Multiple Modernisms in Postwar London -- Decentralization: Elective Affinities and Missed Encounters -- Discrepant Bones: A Case Study -- Notes -- Bibliography -- 4 Multiple Resistances to the Concept of Modernism: The Emergence of Artistic-Poetic Networks between Eastern Europe and Latin -- Multiplying the Modernist Project -- Anti-Aesthetics: Toward the Criticism of Western Modernism -- Self-definition as Arrière-garde Artists -- Multiple Resistances to the Concept of Western Modernism -- Notes -- Bibliography -- 5 Urban Folklore: Marta Minujín's Postwar Assemblage and the Modern City -- Urbanscapes -- Environmental Assemblages -- La Menesunda and the City -- Urban Folklore -- Notes -- Bibliography -- 6 Yayoi Kusama as a Migrant Artist: An Artistic Trajectory as a Model for Understanding Postwar Art -- Boat Trip -- Kusama in Europe -- Polka Dot Love Room -- Migration Aesthetics -- Notes -- Bibliography -- 7 The Overworked Ground: Franz Erhard Walther in New York 15 Displaying Whose Modernity?: The Bardis and the Museum of Art of São Paulo -- Notes -- Bibliography -- 16 Cosmonaut Paintings as Contemporary Art: The Soviet Union at the Venice Biennale, 1956-1968 -- "Insalata Russa": Soviets in Venice -- On a Mission to Venice: The 1968 Exhibition -- A Cold Reception at a Heated Biennale -- Into Oblivion - Space Debris in Venice -- Notes -- Bibliography -- 17 All That Jazz: Rome's Galleria Nazionale d'Arte Moderna and the Rise of Abstraction in Postwar Italy -- Palma Bucarelli: The Joan d'Arc of Parisian Modernisms -- Arte astratta e concreta in Italia -- Notes -- Bibliography -- Index |
| Title | New Histories of Art in the Global Postwar Era |
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